Artist Zach Lieberman uses interactive media to inspire - and explore the relationship between technology, performance, and the body. His recent projects include an open-source eye-tracking system that allows disabled artists to draw using their eyes and a performance that includes drawn sketches that react to a visitors' touch.
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My last 3D experience was a mess. It was Avatar at the cinema, and like most people, I left frustrated. The 30 seconds of the Haribo ad being more entertaining than the 3 hours of Cameron’s blockbuster; be it from the script or a technical point of view. Not mentioning the popcorn sound effect from my neighbour, soundtrack I would have happily done without. It is therefore with scepticism that I put my sunglasses on at the Deep Space of Ars Electronica. But I have to admit the experience was final. Facing a 12m by 9m screen, the viewer is immersed in the images moving in front of his eyes. The originality of the Deep Space is to reinforce the immersion by lengthening the screen to the floor: in front of our eyes, above our heads and all the way beneath our feet, the image is there. We are surrounded, ready to take off. 
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Goal

VisualComplexity.com intends to be a unified resource space for anyone interested in the visualization of complex networks. The project's main goal is to leverage a critical understanding of different visualization methods, across a series of disciplines, as diverse as Biology, Social Networks or the World Wide Web. I truly hope this space can inspire, motivate and enlighten any person doing research on this field.

Not all projects shown here are genuine complex networks, in the sense that they aren’t necessarily at the edge of chaos, or show an irregular and systematic degree of connectivity. However, the projects that apparently skip this class were chosen for two important reasons. They either provide advancement in terms of visual depiction techniques/methods or show conceptual uniqueness and originality in the choice of a subject. Nevertheless, all projects have one trait in common: the whole is always more than the sum of its parts.

more http://www.visualcomplexity.com/vc/

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제가 좋아 하는 회사중에 하나인 secondstory의 작품입니다. 클래식한 무게감을 가지고 있으면서도 혼합미디어를 적절하게 사용하는 회사입니다. 여타 회사처럼 web interactive 부터 시작해서 안정감있게 성장하는 회사인 것 같습니다.

secondstory를 더 알고 싶다면 http://bit.ly/crHBR8

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by Jörg Müller, Daniel Michelis, Chris Kray
Position Paper, Workshop Natural User Interfaces, CHI 2010

Abstract

One major application area of Natural User Interfaces are public displays, which are often not intended to help the user fulfill a certain task, but rather to be engaging, inspiring and entertaining. A key issue in this area is how to evaluate these systems and their user interfaces. Based on the case study of Magical Mirrors, we identify challenges that occur with evaluating such systems and propose ways to address these evaluation challenges. Challenges include the lack of a welldefined task, the difficulty of describing and observing audience behavior, the briefness and sparseness of typical interactions, and the public nature of the space.

more        http://www.magicalmirrors.de/

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윌리엄 켄트리지
나는 내가 아니고, 그 말은 내 말이 아니다
William Kentridge
I am not Me, the Horse is not Mine

http://bit.ly/dgKyWp

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Sweatshoppe Ise Cultural Foundation

The “Ouroboros” show uses more than 30,000 images including comets, volcanic flows, galaxies and chemical symbols to tell a multilayer history of the universe.

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Exhibition Review | 'Ouroboros: The History of the Universe'
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That is the point of “Ouroboros: The History of the Universe,” a 3-D visual collage of vibrating mandalas, exploding galaxies, astronauts and corporate logos, among much more, on six screens, all in the service of reconnecting consciousness and cosmos. It’s now running in a darkened basement at the Ise Cultural Foundation in SoHo. Put on your 3-D glasses — what isn’t 3-D these days? — and plug yourself back into the cosmos.
................................
http://nyti.ms/bIfbzn

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Open the mobile phone application offered by a French real estate agency and point your phone at a building along the Champs-Élysées or some other street in Paris. Within seconds, you will see the property’s value per square meter, superimposed over a live image of the building streamed through the phone’s camera.

http://nyti.ms/doRQXH

An illustration of augmented reality technology.
from new york times

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